Over sixty years ago the architect Aldo van Eyck, who weaved outdoor play into the fabric of war-torn Amsterdam, was inspired by seeing how, after a snowfall, children came out of their homes and claimed the city’s spaces for themselves. Even today nothing gets children of all ages out of doors faster, or in greater numbers, than a decent layer of newly fallen snow.
Why is fresh snow such a universal draw? Surely the answer lies in its exceptional qualities as a material for construction and destruction. The invitations, offers and affordances of snow are extensive, inclusive and democratic. Anyone capable of moving their arms and legs can make a snow angel. No assembly instructions are required.
Here is a true gem from the archives of play: extended video footage of Lady Allen of Hurtwood. Lady Allen is the foremost figure in the history of children’s play in the UK (I reviewed her classic Planning for Play – available as a pdf from the marvellous Playscapes blog – in a previous post). The video focuses on the staffed adventure playgrounds Lady Allen created in the 1960s and 1970s to provide play opportunities for disabled children, some of which continue today under the management of the charity Kids. Some health warnings: at times the language used in the video to describe the children is old-fashioned, inappropriate, and even offensive to today’s ears – though in Lady Allen’s day the terms were standard. Also, the video is somewhat grainy and jumpy. Oh – and Lady Allen’s accent could cut glass at 20 paces. But do not let any of this put you off, or you will miss out on as clear a manifesto for adventurous play as you are ever likely to see.
On my visit to Moscow last week, I witnessed an intriguing sight as I was crossing a bridge near the city centre. A little girl and her mother were walking towards me. As they went past, the girl stooped down to make a snowball, and then she threw it playfully towards her mother. Not very noteworthy, you may think – except that it was minus 6 degrees Centigrade, with a biting wind and eight lanes of Moscow traffic roaring by just metres away from us. You could not have asked for a clearer example of children’s appetite for play, regardless of their circumstances. So how well does Russia’s capital satisfy that appetite – how child-friendly is it?
Posted in Mobility, Outdoor play, Public policy, Urbanism
Tagged child-friendly cities, mobility, Moscow, planning policy, play, public-space, Russia, urban design, urbanism
Image by Edwin Gardner, from Partizan Publik
In a couple of weeks I will be speaking at the Moscow Urban Forum, and I am asking for your help in making the most of this exciting opportunity. I want to find out more about everyday life for Moscow’s children. Can you help me discover what it is like to grow up in the neighbourhoods that the majority of Muscovite families live in?
Posted in Mobility, Outdoor play, Public space, Urbanism
Tagged child-friendly cities, mobility, Moscow, planning policy, play, public space, Russia, urban design, urbanism
What happens when artists who are used to structured programmes work with children who expect to be able to play freely? This is the question I explore here, in an edited version of a chapter from the book The Cat Came As A Tomato, published by the South London Gallery in 2011.